A Moon Made of Ice – Arctic black-and-white landscape by Katrin Laade on Spitsbergen

Shown on an APHEUM Frame · Frame sold separately.

© Katrin Laade

Digital photo collection for APHEUM Frames

An erased drawing between climate change, memory, and disappearance.

Katrin Laade · Painter and draughtswoman

A Moon Made of Ice – Fine Art Photo Collection by Katrin Laade

One-time price
Offer price€248,00

incl. VAT

320 days term:Curated with context
81 photographs Automatic delivery Frame sold separately

Digital photo collection for APHEUM Frames

About the collection

A poetic, conceptual work in which landscape disappears in sequences and remains as a trace in memory.

A moon made of ice

“A moon made of ice” is an artistic collaboration between Katrin Laade and Lilliana Matthews.

Katrin Laade created a 120 × 150 cm graphite drawing on paper based on a photograph of a polar landscape. In dialogue with a poem by Lilliana Matthews, the moon was added — an element that was not present in the original photographic reference.

The drawing was then erased as completely as possible in 81 stages. After each stage, its current state was photographed. In the end, an almost white sheet of paper remains, carrying traces of the original drawing — like memories that cannot be completely erased.

The 81 photographic stages document the slow disappearance of the landscape and ice floes. The work can be read as a comment on climate change, but also as a reflection on remembering and forgetting.

Scope
81 photographs
Access period
Curated with context
Delivery
digital and automatic
Use
private use on APHEUM Frames
Included
Digital collection; frame and print not included

Selected works from “A moon made of ice”

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Artists

Katrin Laade
© Katrin Laade
Katrin Laade
Painter and draughtswoman
More about Katrin Laade+

Katrin Laade is a painter and illustrator. She uses not only brushes and pencils, but also scissors, a sewing machine, and an eraser.

Katrin Laade uses procedural methods; she has imposed them on herself, so to speak, in order to generate an interplay between control and chance or play.

Her pictures consist of many layers, as do her drawings, although the latter are erased at the end and assembled into an animation.
At first they appear almost white, but upon closer inspection the traces of the original drawing are quite clearly visible.

The drawings (and the paintings as underlying projections) address socially relevant topics, such as climate change and its consequences.

As for the painting, the most exciting moment is the moment when the many layers of adhesive are peeled off. A large part of painting is done blindly, so to speak: Is the picture successful? Are the proportions, the structure, the colors right? Has the tape left too much on or removed too much? Good paintings ultimately prove to be unpredictable.

In the drawings presented here, snow and ice landscapes have been erased, a reference to climate change, the disappearance of nature as we know it, but also a reflection on remembering and forgetting.

Katrin Laade/Angelika Trojnarski

Vita+

Katrin Laade

 

1964  Born in Stuttgart

1983 – 88 State Art Academy Düsseldorf, studied with Jan Dibbets, David Rabinowitsch

1988 – 90 De Ateliers, Postgraduate Studies (Masters), Haarlem, NL, Scholarship NL and EU

1990 – 96 werkbeurs, basicbeurs (FvBK scholarships)

1988 – 95 lives and works in Amsterdam, NL

1995 – now lives and works in Düsseldorf

1999 Residency scholarship in Loviisa, Finland

2008 – 2012 Lecturer in painting, Folkwang University

2004 - 2020 Lecturer in Painting, University of Duisburg-Essen

2018 Member of the producer gallery plan.d, Düsseldorf

2020 Member of the German Artists' Association

2020/21/22 “Let's go”, project grant from the MKW, NRW

2022 Restart Culture, Kunstfonds Bonn

2023/ 2024 Lecturer in Painting, graduate program, Alfred University/ Alfred USA/ Dependance Düsseldorf

Since 1991 numerous exhibitions at home and abroad

2025 Catalogue presentation and exhibition Kunstverein Leverkusen (EA), "Blurred Relations", Kunstverein Hohenlohe, (GA), "Painting in Translation"
Alfred University, Alfred, USA, (GA)
"klein klein", West German Artists' Association, Märkisches Museum Witten (GA)

2024 “Not far”, Photo Gallery Vienna, Vienna, A (GA), 30 JA, Anniversary Salzmannbau,
in the rooms of the Storage Museum, Düsseldorf, (GA), anniversary exhibition plan.d.,
Düsseldorf (GA), “Darkroom”, K101, Cologne, (EA), “Red Blue Blue”, Gallery
Art Space 21, Bonn,

2023 Galerie Kunstraum 21, Bonn “Illuminating”, (EA), “Mikado”, Künstlerbund Tübingen (EA/GA), “Node”, Red Head Gallery, Toronto (GA), “shaped canvas”, Freiraum, Düsseldorf, (EA), “Six”, Galerie Kunstraum 21, Bonn (GA)

2022 Galerie Kunstraum 21, "DAGEWESEN" (GA), "Stoffwechsel", Galleria Huuto, Finland (GA), "Traces", Galerie Martin Leyer-Pritzkow, (EA), "Die Grosse", museum kunstpalast Düsseldorf, "Sechs", Galerie Kunstraum 21, Bonn (GA)

2021 “temporary”/ “fleeting world”, producer gallery plan.d., Düsseldorf (EA),

2020 “latently present”, Künstlerloge Ratingen (EA)

2019 “damaged order”, Galerie Reinhold Maas, Reutlingen (EA),

2018 “Big Yellow”, Galerie Peripherie, Tübingen (EA), foreign matter(s), CASO, Osaka, Japan (GA)

2017 “space 42”, Robert Koepke House, Schwalenberg (GA),

2014 “from here until now”, Kunstraum Düsseldorf, (GA), 2011 “four show pictures”, WWU, Project space Philara, Düsseldorf (GA),

2008 “Trend Walls”, Kunstraum Düsseldorf, Düsseldorf (EA/GA), “unstaged”, arti et amititiae, Amsterdam, NL (GA)

2005 “glowing melon”, Kulturforum Schlossmeierhof, Gallery Volker Marschall, D'dorf, (EA)

2001 “Free Elections Fair”, Kunsthalle Baden-Baden, Baden-Baden (GA),

1997 Galerie Louise de Haan, Haarlem, NL (EA)

1999 + 1996 Galerie Wolfram Bach, Düsseldorf (EA)

1991 + 1993, W 139, Amsterdam, NL (GA)

Source

How it works

1
Unlock the collection
2
The collection is automatically assigned to your APHEUM account
3
Choose works and experience them on your APHEUM Frame

Terms of use & licence

What is included in the one-time price?+
You unlock the complete digital collection for the purchased access period. No physical print or APHEUM Frame is included.
What happens when the access period ends?+
Access ends after the purchased period. It does not renew automatically and you will not be charged again.
How may I use the collection?+
For the contract term, you receive a non-exclusive right of use for private and non-commercial display on APHEUM Frames. Private use is permitted worldwide. Sharing the content or creating copies for third parties is not permitted.