About this collection
The photographic works of Karl Heinz Mai are among Germany's most important cultural treasures. His extensive documentation of the post-war period up to his early death in 1964, with all the traces of destruction, the everyday lives of the people, and the reconstruction, is unique.
Furthermore, Karl Heinz Mai primarily photographed in Leipzig. Because he worked mostly independently and on his own initiative, he provided us with an uncensored picture of everyday life since 1945 and in the former GDR. This is another unique characteristic of his work.
Ulrich Domröse, the long-time head of the Photographic Collection at the Berlinische Galerie in 2002: “For me, Karl Heinz Mai’s photographs are among the most important photographic achievements of the immediate postwar period. While other prominent German photographers focused on the destruction of war, Karl Heinz Mai dedicated himself entirely to life and reconstruction. With his extraordinary powers of observation, he succeeded in making essential statements about the prevailing mood of life during this time. His expressive power is based primarily on a sensitive perception of postures and physiognomies. Thus, his photographs are far more than everyday documents of life in an extraordinary time. Rather, they are images that vividly and intensely convey the extreme experiences of ordinary people.”
APHEUM is therefore particularly pleased to be able to offer 52 works by Karl Heinz Mai in one collection.
That this is possible is thanks to Karl Detlef Mai, his son. Himself a photographer, he recognized the value of his father's legacy early on, secured it, professionally archived it with his son Andreas Mai, and brought it into the digital age. Since 1980, with the founding of the "Fotothek Mai Leipzig," his life's work has been made known to a wider public. The fact that this important cultural asset is being preserved and cared for by the third generation is a rare occurrence.
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